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Serving the blind and visually impaired
for more than a quarter century.
In 1968, Recording for the Blind, a
national agency that produced audio textbooks for
schools, outgrew its Louisville facilities on Haldeman
Avenue. So Ruth Drennan Carmichael, a long-time
supporter of the blind, paved the way for a satellite
recording facility to be set up in her church just east
of Louisville, in Anchorage, Kentucky. And for the
following 13 years, the
Anchorage Presbyterian Church
provided rent-free space for teams of volunteer
narrators and monitors to turn out the much-needed
textbook recordings for blind students and other reading
disabled individuals.
Then, in 1981, Recording for the
Blind announced plans to shut down this satellite
facility and consolidate its production operations.
Carmichael and her volunteers weren't about to let the
doors close in Anchorage. They saw the continuing need
for custom recordings covering a wide range of subjects
not available from other sources: novels, magazines and
periodicals, newsletters and newspapers, instructional
manuals, product brochures and a myriad of written
materials that are part of everyday living. The key word
is "custom."
The group formed the nonprofit
Anchorage Studio for the Handicapped, purchased the very
equipment we had been using in the church and went right
on offering our much-needed service.
Anchorage
Presbyterian Church Pastor John Ames continued to allow
us to use his church rooms rent-free. This generous
arrangement continues to this day and is vital to our
on-going operation. In 1990, the name of the Studio was
changed to the Audio Studio for the Reading Impaired to
better reflect our mission and the variety of narration
and recording services we provide. Today more than 90
volunteers narrate, monitor and proofread the diverse
materials our clientele requests.
From the beginning, the majority of
the recorded work produced by Studio volunteers was
distributed—at no charge—through the Talking Book
Libraries in Kentucky. Other projects produced to meet
individual requests were priced low to assure that they
were affordable to all—even those least able to pay.
Many outstanding Kentucky
organizations have used our services. Included are the
Filson Club, Kentucky Historical Society, Jefferson
County Public Schools and the Southern Baptist
Convention. Other groups include TARC, the Louisville
Chamber of Commerce, the Presbyterian Church, U.S.A.
and, most recently, the Better Business Bureau.
As the struggling volunteer group
built a reputation, we began to attract financial
support from community-minded organizations and
companies. Among them were Younger Woman's Club, the GE
Employee Fund, the GE Foundation, the Al Schneider
Foundation and several Lions Clubs. Other key supporting
groups were the Honorable Order of Kentucky Colonels,
AARP, The Gheens Foundation, the James Graham Brown
Foundation, Brown & Williamson, Chase Bank and numerous
church organizations and individuals.
In 1988, the Studio expanded its
services to the blind when we set up an operation to
repair the tape players used throughout the Library of
Congress Talking Book network in Kentucky. Dave Berg, a
retired General Electric engineer and one of the
Studio's original repair team volunteers, headed up the
new service and soon widened it to include Braille
typewriters.
And while this type of equipment is
still vitally important, digital technology is providing
new and better ways for the recorded word to reach our
clients. The Audio Studio is currently undertaking a
major program to install digital recording equipment.
We're looking forward to having our new system
operational in the near future.
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Studio Directors
1981-1982 Payney Chesheir
1982-1983 Jackie Cothren
1983-1999 Sandy Koukola
1999-2006 Betty Zielinski
2006-
Ann Rich |
Board Chairs
1981-1984 Ruth Drennan
Carmichael
1984-1990 Hayden Heaphy
1990-2004 Robert Noll
2005-2006 William Huff
2006-2007 Adam Ruschival
2007-
Jim Cox
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